Showing posts with label Rock Music. Show all posts
Showing posts with label Rock Music. Show all posts

Saturday, January 5, 2013

TweetLevel vs Street Level


Since I've been searching for the meaning of (online) life lately, I was led to an article by Neil Patel on Entreprenuer.com called 10 Little Known Social Media Tools You Should Be Using Now

I decided to try TweetLevel, to see how I'm perceived and I hit on two of the five categories: Idea Starter and Curator.

I like that, and it's apt. I have always enjoyed leading the way with "show & tell". Setting trends, rather than following them, has ever been my style (or, rather: doing what I like to do, and if other people like it too, so much the better). Putting together like items (such a DJ'ing on-topic playlists, being able to recommend other films based on one, knowing which fashions from different eras will go together, etc.) has always been a passion of mine. Happy to know it shows.

Idea Starters – this small collective of people are the creative brains behind many of the thoughts and ideas that other people talk about. Even though they may not necessarily have a large audience themselves, their insightful opinions often flow and are repeated throughout conversations long after they have left. They are typically well connected to other idea starters (where they collaborate on thoughts) and amplifiers (who they often rely upon to spread their views). Idea starters tend to be well connected to curators and amplifiers.

Curators – this group though having a far smaller audience are perhaps one of the most influential groups. Long after the idea starter and amplifier have left a conversation, it is the curator that maintains discussion. This niche expert collates information about a specific topic and is frequently sought after for advice about this specific area. They often take part in discussions with idea starters and are avid readers of topic-specific amplifiers.

Now… if I could just figure out how to monetize all this passion. That's ever been my M.O., since I was a kid with a horse, living in a tourist town: Pony Rides, $1.00 — I'd make enough cash to buy some candy or a record, and off I'd go to have fun. While I have never been rich, I have always been successful in making just enough money to support my fun-habit. That's well and good, but it would be nice to have a few extra bucks left over once in awhile.

To this end, I recently read an excellent book called The$100 Start-Up (by Chris Guillebeau) that's been quite inspiring as I move into an especially creative phase in my work. Rather than just writing reviews of other people's original works, I'm focusing on my own. (Which also means I have to deal with the creative aftermath: selling, and staying.)

I have e-books in the zeitgeist and on the horizon (four of my paperbacks went out of print from their respective publishers and I took the rights back). Also, I was hit with a flash of inspiration on a hands-on art project which I started and finished in just a few hours. (Yesterday, as a matter of fact!) I satisfied the muse, then I got down to biz. Already found a virtual gallery to exhibit the pieces, then I am going to sell them on Etsy, based on principles which are applicable through advice given in The $100 Start-Up.

I'll keep you posted on my progress. (via Twitter, naturally!)

Out now: Ghost Writer (fiction) and Guide to Animal Movies & 50 Years of Ghost Movies (non-fiction)




Click the "Dirty Records" link to see the photos in full-size.

Thursday, October 18, 2012

Led Zeppelin: The Biopic


I dream-cast movies in my head all the time. It's even better when I get to dream cast for real (as I am now, with an upcoming film project on famous surrealist and avant-garde painters), but only just. Whether it's for something tangible, or something I just wish I could see, I am forever casting roles in my mind and frolicking in the fantasy of it. My imagination is immense.

There have been so friggin' many movies about The Beatles (too many!) and variations of the glam-rock scene. There was the wonderful Velvet Goldmine, in which only the names of Bowie and Iggy were changed. The Runaways story wasn't that well-cast, IMO (except for Michael Shannon as Kim Fowley). When it comes to punk, Sid and Nancy was right on the money. I'm Not There, the fanciful Bob Dylan bio-pic, had the best casting, ever. So smart and inventive. There are some other rock 'n roll icon movies, but nothing yet on The Rolling Stones or my favorite, Led Zeppelin.

Having just seen the Fathom Event "Celebration Day" at the AMC on Universal City Walk last night (more on that, a little further down the scroll), I was thinking about The Mighty Zep in their heyday and at the height of their power. Absolutely astounding men, full of vitality, talent, magnetism, style, romance, and raw sexuality.

Suppose the Led Zeppelin story were green-lit today… who would I cast in their roles? Drum roll (bashing-Bonzo style, please….)

Alexander Skarsgard as Robert Plant
Joseph Gordon-Levitt as Jimmy Page
Robert Pattinson as John Paul Jones
Zach Galifianakis as John "Bonzo" Bonham







So, Celebration Day, the movie. It's great! I liked how there was no pre-amble, no back-story, no behind the scenes interviews, just the concert. Magnificently shot and wonderfully presented, it is, as a fan of the group, truly heartwarming to see they've still "got it". Plant's voice was mighty as ever, Jimmy Page rocks all, Jonesy is steady yet sparkles, and Jason Bonham channels his late father beautifully but has his own twist. (I loved the moment in the film when he reveals his Bonham-symbol tattoo.) The audience was so into it, too: applause, comments, cheers, and even some tears (definitely from the guy sitting to my right — a regular, middle-aged, masculine looking dude in a baseball cap… I love that the music moved him, so much. That's so neat).



When it comes to the critic side of me, the professional writer and evaluator, I cannot fault the film… but I didn't love it as much as the Live At The Royal Albert Hall (1969) film, which I saw at The Egyptian Theater. Nor The Song Remains The Same, which is hoary, cheesy and dated now, but was the midnight movie of my youth (I still have all 150+ ticket stubs!). Band docs in general, such as It Might Get Loud (for which I interviewed Jimmy Page), and The White Stripes Under Great White North Lights (which I saw on the big screen, and also own on Blu-ray), and of course the classics, like Rust Never Sleeps or The Last Waltz, still stand head and shoulders above the rest. But when it comes to straight-ahead, no-bs, no cinematic riff-raff, Celebration Day does indeed rock.

Here is a review on Celebration Day, from USA Today, which says it better than I can right now… CLICK HERE

My dates for the evening were two of the biggest Led Zeppelin fans I know (and love) Darren Smith and Terrence Kelsey. All in all, it was a fun night and I highly recommend the Fathom Events experience.





The "Celebration Day" film set, in order

1."Good Times Bad Times"
2."Ramble On"
3."Black Dog"
4."In My Time of Dying"/"Honey Bee"
5."For Your Life"
6."Trampled Under Foot"
7."Nobody's Fault but Mine"
8."No Quarter"
9."Since I've Been Loving You"
10."Dazed and Confused"
11."Stairway to Heaven"
12."The Song Remains the Same"
13."Misty Mountain Hop"
14."Kashmir"
15."Whole Lotta Love"
16."Rock and Roll"


Links to my Zeppy Stuff:



My beloved ZoSo Necklace (R.I.P.)


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